摘要
沟口健二作为日本现代女性电影大师,作品中体现出他对东方文化、女性命运的关怀和思考。主要从沟口健二电影中的镜头语言特点——长镜头美学、女性主义以及古典文化意蕴中包含的现代性三个方面简要分析其电影中展现的东方意境美。
As the Japanese modern feminist film master,Kenji Mizoguchi manifests his concern and ponder to the Eastern culture and the feminine destiny.This article mainly discusses from three aspects to Kenji Mizoguchi’s Easten artistic conception,they are,the feature of movie's lens language-long-shot esthetics,the feminine principle and the classical cultural implication contains in modernity.
出处
《湖南大学学报(社会科学版)》
CSSCI
北大核心
2010年第3期153-155,共3页
Journal of Hunan University(Social Sciences)
关键词
沟口健二
日本电影
东方文化
Kenji Mizoguchi
Japanese film
easten culture