明末民窑青花瓷艺术文人画风探究

TO EXPLORE SCHOLARS' PAINTING STYLE OF THE ARTS OF BLUE-AND-WHITE PORCELAIN FIRED BY FOLK KILNS IN THE LATE-MING DYNASTY

明末是青花瓷艺术风格重要的转变期,出现了显著的文人化倾向。明末文人画的空前繁荣、印刷术的进步和版画的流行以及大批文人及御窑优秀画工进入瓷画界等是明末青花瓷兴起文人画风的主要原因。明末青花瓷在山水、人物、花鸟等题材中均有浓郁的文人气息,并在艺术风格上表现出追求笔墨情趣和程式化倾向。

The late-Ming Dynasty was an important transformation period of the artistic style of blue-and-white porcelain,when there had been a significant tendency of literati.The unprecedented prosperity of literati paintings in the late-Ming,entering the world of ceramic painting of a large number of scholars and excellent painters who were from the imperial kilns,the improvement of printing and the popularity of the lithography and so on were the main reasons for the rising of scholars’ paining style of the arts of blue-and-white porcelain in the late-Ming.Blue-and-white porcelain in the late-Ming had a thick and strong literati style in these themes such as the landscape,figures,flowers and birds and showed the tendency of pursuing the fun of writing and being stylized in the artistic style.