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从“形神合一”浅谈钢琴教学 被引量:1

On Piano Teaching from Unity of Form and Soul
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摘要 钢琴演奏者在演奏中表现出的精与神通过气的贯通得以把内向功转化为外向功,形成了一定的外部动作,就产生了"形"。就内外关系而言,内向功是钢琴演奏的本性及根源,外向功是钢琴演奏的运动及过程。在内向功的三个环节中,气是主导,形则是沟通内界与外界的桥梁。而精与神的境界传递则需由气贯通,只有做到贯气,才能将内向功溶入外向功,做到内外合一,形神合一。 Piano players in performance transform the introversive power to the extroversive power by connecting spirit and soul through chi,thus certain external actions are created,which is called "form".As far as the internal and external relationship is concerned,introversive power is the nature and source of piano performance,while extroversive power is the activity and process.Of the three links in introversive power,chi is dominant;form is the bridge between internal and external world.Spirit and soul have to be run through by chi to achieve internal and external integration,unity of form and soul.
作者 周明哲
出处 《江苏海洋大学学报(人文社会科学版)》 2010年第2期109-111,共3页 Journal of Jiangsu Ocean University(Humanities & Social Sciences Edition)
关键词 钢琴教学 形神合一 内向功 外向功 spirit chi soul and form introversive power extroversive power
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参考文献2

  • 1赵晓生.钢琴演奏之道[M].上海:上海音乐出版社,2007.
  • 2[苏] 涅高兹.论钢琴表演艺术[M].汪启璋,吴佩华,译.北京;人民音乐出版社,2002.

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