“复调”、“对话”、“狂欢化”之后与之外——当代中国学界巴赫金研究的新进展

After and Beyond "Polyphony","Dialogism","Carnivalesque"——New Progress in Bakhtin Research in China

巴赫金文论的一些关键词,诸如"复调"、"对话"、"狂欢化",巴赫金文论的一些核心范畴,诸如"多声部"、"参与性"、"外位性",已成为当代中国学者文学研究乃至人文研究的基本话语。几十年来,我们一步一步地引进文学理论家巴赫金的"复调理论"、哲学家巴赫金的"对话理论"、文化学家巴赫金的"狂欢化理论",并加以积极的阐发与运用,运用于外国文学文本的解读,也运用于中国文学文本的解读,运用于文学学自身的建设,也运用于美学、哲学等人文学科方法论的反思,已取得十分丰硕的成果。在引进"复调"、"对话"、"狂欢化"学说之后与之外,我们正在积极潜心于巴赫金"话语理论"的开采,多方位地展开巴赫金学说的语境考量,多层面地思索巴赫金学说对于文学研究乃至整个人文科学之方法论上的启示,努力将当代中国的文学研究乃至人文研究的一个重要理论资源——巴赫金研究不断向纵深推进。

Some Keywords in Bakhtin literary theory,such as ＂polyphony＂,＂dialogism＂,＂carnivalesque＂,and some core categories,such as ＂polyphony phenomenon＂,＂participative＂,＂exotopy＂,have already been contemporary Chinese scholars＇ primary discourse in literal studies and even in humanities studies.In these several decades,as literary theorist Bakhtin＇s ＂Polyphony theory＂,as philosopher his ＂Dialogism theory＂,and as cultural expert his ＂Carnivalesque theory＂ have been introduced gradually,and we made exposition and application actively.We apply his theories to interpretation of foreign literary works as well as to interpretation of Chinese literary works,and to construction of literature itself as well as to the self-examination of methodologies in humanities such as aesthetics and philosophy,all of which have made great achievements.After and beyond the introduction of ＂polyphony＂,＂dialogism＂ and ＂carnivalesque＂,we concentrate on the exploration of ＂Dialogism theory＂,expand the contextual consideration of Bakhtin＇s theories,ponder the inspiration for literary studies and even for methodologies in humanities provided by Bakhtin＇s theories in multi-dimensions,and push forward continuously with Bakhtin research--an important theory resource in contemporary Chinese literary studies and even in humanities studies.