摘要
根据果戈理一贯的创作思想、写作《死魂灵》的时代背景和创作构思,本文从这部号称为"史诗"作品的题材、体裁、典型形象、作品结构和创作手法的分析中论证,在《死魂灵》(主要是第一部)中,与乞乞科夫购买"死魂灵"的情节线索平行的还存在一条若隐若现、但贯穿作品始终的红线——俄罗斯主题。这是果戈理继承和发展普希金开创的民族性传统,使自己的创作成为俄罗斯文学走向独创性与民族性的重要标志,它有助于我们在不同以往的新的解读中来认识和理解这位语言大师的艺术魅力和精神遗产。
According to Gogol's conception of Dead Souls,its background and his personal experiences,this paper intends to analyze the theme,the form,the composition and literary techniques of this works in order to demonstrate that there is another plot——Russian Motif running through the whole story,paralleling the plot of Chichikov's purchases of Dead Souls.This is an important symbol of Gogol's inheritance and development of the national tradition in Russian Literature pioneered by Pushkin and his efforts to push forward the Russian Literature to a new stage of originality in the first half of the 19th century.And it is also a clear and strong reflection of Russian People's awakening of national consciousness when Russia stepped into the world stage.
出处
《北京第二外国语学院学报》
2010年第4期43-47,共5页
Journal of Beijing International Studies University