摘要
《老子想尔注》有着较为丰富的道教审美思想。它以"道、一、精气神"为其哲学基本范畴,以"善"为道德审美基础,创设了"道(德)之美"这一审美本体,阐释了"情性、中和、清静、自然"等审美范畴的内涵,树立了"致长生、求仙寿"的审美理想,并以"水"为审美意象而使其理论具象化,尤其是"养志、至诚、守道诫"的实践美学思想使其在汉代道家、道教美学思想史上具有独树一帜的地位,并对后世道教美学产生相当的影响。
Laozi Xiang’er Commentary is rich in Taoist aesthetics.This paper makes a study of the philosophical major concepts of this work such as 'Taoism','oneness','goodness' and probes into its interpretation of the major aesthetic terms such as 'disposition','harmony','Serenity','naturalness',etc.and its great influence on Taoism and Taoist aesthetics in the Han Dynasty as well as the later periods.
出处
《三峡论坛》
2010年第1期126-131,共6页
China Three Gorges Tribune
关键词
《老子想尔注》
道教美学
审美思想体系
Laozi Xiang’er Commentary
Taosit aesthetics
Aesthetic thinking
