摘要
在"九华山佛文化展示中心暨景区游客中心"项目的设计中,充分借鉴中国传统外部空间设计的理论及方法,并以代表中国传统诗学中的最高成就之一的"起、承、转、合"的模型理论,安排组织空间序列,形成仪式化的行程编排,以求获得一种符合中国传统美学心理的空间吟说。
In the project of th Buddhist Culture Exhibition Center Tourist Centre in Jiuhuashan Moutains in Anhui Province, the theory and method of Chinese traditional outer space design are taken for reference, and the arrangement of spatial sequence and ritual route are based on the Chinese traditional theory of poetic structure of Opening, Development, Change and Conclusion. All these are aimed to have a spatial narrative in Chinese mode which fits with Chinese aesthetical psychology.
出处
《华中建筑》
2010年第3期77-80,共4页
Huazhong Architecture
关键词
外部空间设计
借景
对景
框景
夹景
空间序列
起、承、转、合
安徽九华山佛文化展示中心
景区游客中心
Outer space design
Borrowed senery
Ointedsc enery
Framedscenery
Narrowly framed scenery
Spatial sequence
Opening
Development
Change and Conclusion
Buddhist Culture Exhibition Center of Jiuhuashan Moutains in Anhui Province
Tourist Center