摘要
该文从三峡的相关概念入手,总结了"后三峡"时期乡土建筑复兴的矛盾与问题。同时,以湖北兴山"昭君文化园"设计创作为例,探讨乡土建筑如何围绕历史文脉进行地域性营造,指出只有同整个"后三峡"文化联系起来,从乡土文化的整体环境着眼才能找到合适的营造途径,并提出了针对性的策略。
Through attaching concepts of Threegorges, this article summed up the problems of the vernacular building’s restoring during the period of Post Three-gorges project. By specifying the design of Zhaojun-culture park in Xingshan, Hubei province, this article discussed how to construct the vernacular buildings in a local way which focusing on the historical context. Emphasizes that only the ways of associating with the whole Post Three-gorges culture, attaching from the whole environment of vernacular culture could fi nd the suitable constructive way and directly strategy.
出处
《华中建筑》
2010年第4期32-35,共4页
Huazhong Architecture
关键词
“后三峡”文化
乡土建筑
湖北兴山
昭君文化园
Culture of post Three-gorges
Vernacular building
Xingshan in Hubei province
Zhaojun-culture Park