牧童归去横牛背,短笛无腔信口吹——从《牧童短笛》看中西田园音画的不同意境

The Cowboy Is Going Back,Straddling a Cow and Playing His Short Flute in a Casual Way:Different Artistic Contexts of Chinese and Western Pastoral Musical Pictures Seen From The Cowboy's Short Flute

《牧童短笛》是在新文化背景下诞生的中国现代钢琴曲,刻画了完全不同于西方风格的中国田园音画。其贯穿古今、融汇中西的创作思路为作品奠定了坚实而独特的基础,使民族性和世界性得到了完美的统一。分析、借鉴《牧童短笛》的创作理念对当前的文化建设仍有积极的意义。

The Cowboy＇ s Short Flute is a piano tune in contemporary China born in the context of a new culture. It portrays a musical picture with Chinese features in a rural scene, which is entirely different from the Western musical style. The train of thought running through the past and the present and thoroughly acquainted with the Chinese and the Westem laid a solid and u- nique foundation for the musical work. , showing a perfect integration of national features with international characteristics. It is still of positive significance for the current construction of our culture to analyse and draw upon the creative notion of The Cowboy＇ s Short Flute.