和而不同:论20世纪中国文学的“寻根”现象与审美取向

Consistency and Distinction-on the "Root-seeking" Phenomenon and the Esthetic Value Orientation in 20th Century Chinese Literature

20世纪中国文学中反复出现的寻找民族文化之根的创作现象,是作家陷入个人遭遇和社会前途双重困境下而出现的极为重要的精神现象,也是作家长期思考的一个创作母题。1930年代的"京派"文学和1980年代的"寻根文学"是20世纪"寻根"思潮在不同时代产生的两大重要的文学流派,二者在乡土体验和文化重构方面有着惊人的一致,然而又因创作主体的文化心态与审美价值取向的差异,体现出不同的创作风格。

In the 20th Century Chinese Literature appeared repeatedly a creating phenomenon of This is the most important mental phenomenon that appears when the writers fall into a dual predicament of personal experiences and social future, and is also a motif that the writers have thought for a long-tenn. The Beijing style literature in 1930s and the ＂rootseeking＂ literature in 1980s are two important literary genres produced by the ＂root-seeking＂ trend of the 20th century in different times. Both of them have an astonishing consistency in the local experience and the cultural restructuring. However, they embody diverse artistic styles because of the difference in the cultural mentality and the esthetic value orientation of the creating main body.