从“后殖民”视角比较鲁迅与张艺谋的“丑陋的中国人”叙述

Comparison to the Narrative of "Ugly Chinese" of Lu Xun and Zhang Yimou from the Angle of Post-colonialism

鲁迅和张艺谋的作品都有关于"丑陋的中国人"的叙述,近年来有人从后殖民主义的视角来共同解构他们的作品。但两者的区别是明显的:其一,对待西方大奖,鲁迅和张艺谋态度截然相反。其二,张艺谋的电影精心设计以民俗为中心的符合西方人"口味"的"中国想象"图景,从而成为西方"他者"眼中的"东方";而鲁迅对中国的"描写"不是为了取悦西方人,他是站在中国"自者"的立场来"描写"中国。其三,鲁迅创作的目的是"揭示病苦,引起疗救的注意"。张艺谋的电影过于重视形式,而对思想主题的挖掘不够重视,作品的批判性减弱,有部分作品甚至冲淡或遮蔽了原小说积极的思想主题。

The difference between Lu Xun and Zhang Yimou＇s narrative of ＂ugly Chinese＂ is obvious.Firstly,they have different attitude towards the Nobel Prize in literature and Oscars Awards in film.Secondly,Zhang Yimou＇s films are carefully designed ＂China imagination＂ picture to meet the West ＂taste＂.Lu Xun＇s ＂description＂ of China is not to please the West.Thirdly,Lu Xun＇s works are in order to reveal disease,arouse attention of treatment.Zhang Yimou＇s films emphasize on form too much,and neglect theme to some extent,which leading to the loss of depth in ideology and weakening critical effect.