试论关汉卿杂剧中女性的反抗意识

Attempt to Debate the Revolt Consciousness of Female in Guan Hanqing's Northern Type Drama

封建礼教几千年来桎梏、摧残着中国女性,而中国女性也一直在为寻求个性解放进行着不懈的抗争。到了元代,觉醒的女性敢于与封建礼教进行正面的不妥协地斗争;关汉卿是元代最伟大的戏曲家,他在戏剧中塑造的平民化的女性形象,非常真实、生动,受到了广泛赞誉。他对女性问题的关注,不仅仅只是单纯地悲悯女主人公的悲惨遭遇,更多的则是重视她们的觉醒与觉醒后的斗争。这些女性虽然身处社会底层,处于被侮辱被损害的地位,但是,她们敢于抗争,勇于追求个性解放、勇于斗争的壮举始终闪耀着熠熠光辉,具有广泛而深远的社会意义。

Feudal ethics shackles of the past several thousand years,destroyed the Chinese women,Chinese women have also been seeking individuality waged an unremitting struggle.Of the Yuan Dynasty,the awakening of women with the courage to undertake positive feudal ethics of uncompromising struggle;Yuan Guan Hanqing＇s greatest opera house,in his classical Chinese drama mold of most of the female civilian image very real and vivid.Has been widely acclaimed.He female issues,not just simply pity the heroine of the tragic experiences there are more to their awakening and the fight after awakening.Although they themselves to the bottom,were humiliated at the expense of the status,But the courage to take a stand in their bold pursuit was always sparkling with the struggle against the spirit of the glorious,has extensive and far-reaching social significance