论文人山水画的审美理想

The Aesthetic Ideal of Literati’s Landscape Painting

中国文人山水画是中国艺术体系中最具文化气息和民族气质的绘画派别,它的主体基本上是失意的文人或有一定文化素养且具有文人意气与情趣的画家。在漫长的发展过程中,文人画家逐渐地将文人之长———书法和诗歌,融入画卷之中,形成了笔情墨趣的绘画语言与诗歌般意象无穷的境界,使得文人山水画具有了独特的审美趣味和艺术形态,这不仅增加了山水画的文化底蕴,同时也使其成为文人画家寄情写意的游心之所,从而确立了文人山水画田园牧歌般的审美理想。

In the Chinese art system,the Chinese literati’s landscape painting is the most cultural painting group with the highest nation quality,whose main creators are those literati who were frustrated or painters with certain cultural literacy,spirit and taste. In the long-term development of the Chinese literati’s landscape painting,the literati painters have integrated their specialties of writing and poetry into their paintings,which endows the literati’s landscape painting with unique aesthetic sentiment and art form,generating a painting language thmough the art of Chinese brush and ink as well as a stage of infinite image like poetry. Along with the use of landscape painting as personal lyric invention by literati, landscape painting is not only deepened in cultural deposits but also establishes an Arcadian aesthetic ideal as a result.