期刊文献+

多元感知与多元描绘 被引量:2

Multi Perceptions/Multi Portraits
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摘要 自从电影问世以后,"复制"现实就成为人类现代文明的一大特征。计算机和互联网技术的出现更把"整体"复制渗透到人们生活的方方面面。这种无限次复制的现象被称为当代的"多元化感知"。明星建筑师库哈斯利用这种"多元感知"对自己设计的波尔多住宅进行了"多元描绘",揭示了一座普通住屋背后不易被觉察的空间细节和行为情节,启示我们应当积极探索建筑和新媒体以及新的表达方式之间的关系。 Since the appearance of movie,'reproduction' of reality has become a characteristic of modern civilization.The emergence of Computer and Internet technology have made 'complete' portrait penetrated into every aspect of our daily life.Such phenomenon of infinite reproduction is referred as 'multi perceptions'.As a star architect,Koolhaas used such 'multi perceptions' to 'multi portrait' the Bordeaux house he designed.In such a way,Koolhaas revealed the hardly detectable spacial and behavioral details behind a common dwelling,which inspired us that we should put more attention on exploring the relation among architecture,new media and new mode of expression.
出处 《新建筑》 2010年第2期10-15,共6页 New Architecture
关键词 复制 多元感知 多元描绘 库哈斯 reproduction multi perception multi portrait Koolhaas
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参考文献7

  • 1Walter Benjamin,The Work of Art in the Age of Mechanical Reproduction(London:Create Spaces,2009).
  • 2Paul Valèry,"La Conquete de I'Ubiquite",Oeuvres,tome //(Pans:Pièces sur I'art,Bibl.de la Plèiade,1960),PP.1283-1287.3]Jacques Rancière,The Future of the Image(London and New York:Verso,2007),P.8-10,.
  • 3Beatriz Colomina,"Enclosed by images:The Eameses'Multimedia Architecture"in Tanya Leighton(ed.),Art and the moving image(London:Tate Publishing,2008),P.75.
  • 4Hal Foster,Rosalind Krauss,Yve-Alain Bois and Beniam(i)n Buchloh,Art Since 1900:Modernism,Antimodemism,Postmodemism(London and New York:Thames and Hudson,2005),P.561.
  • 5Pete r Wollen,"The Two Avant-gardes",Studio International,vol.190,no.978,November-December 1975,PP.171-175.
  • 6Jeff Wall,"Marks of Indifference",in:Ann Goldstein and Anne Ronmer(eds.),Reconsidering the Object of Art:1965-1975(Los Angeles,Cambridge,Mass and London:The MIT Press,1995),PP.246-267.
  • 7Gregor Stemmrich,"White Cube,Black Box and Grey Areas:Venues and Values",in:Tanya Leighton(ed.),Art and the moving image,op.Cit.,P.439.

同被引文献12

  • 1胡铮.两种空间运动观——从柯布西耶到库哈斯[J].建筑师,2004(5):72-78. 被引量:11
  • 2邱晓岩.试论数字媒体艺术的新美学特征[J].深圳信息职业技术学院学报,2004,2(2):84-88. 被引量:33
  • 3李云,王巧.关于数字艺术的思考[J].内江师范学院学报,2005,20(3):158-160. 被引量:6
  • 4大师系列丛书编辑部.瑞姆·库哈斯的作品与思想[M].北京:中国电力出版社,2004.
  • 5马冶,事件空间--西方当代建筑空间设计观念研究,中央美术学院,2008.
  • 6孙亮,莱姆一库哈斯的建筑创作理念研究,同济大学,2008.
  • 7程宗贤,都市漫游,台湾东海大学,2010.
  • 8胡娲,叶忠元,新巴比伦:基于日常生活的情境空间建构,华中科技大学建筑与城市规划学院.
  • 9Knabb, Ken. ed. Situationist International Anthology. Berkeley: Bureau of Public Secrets, 198t. "Theory of Derive" .
  • 10Mark Wigtey,Constant' s New Babylon The Hyper-Architecture of Desire, Rotterdam: 010 Publisher,1998.

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