明清戏曲作品中的苏白概论

A Summery on Subai in the Opera of Ming and Qing Dynasty

明末清初的戏曲作品,特别是昆曲中的宾白有不少基于苏州方言的苏白,其不仅能够迎合当地观众的审美趣味,也能比较生动地刻画人物形象,并能起到调剂当场的作用。而戏曲作品中的苏白在其起源初始,却有着不同的表现形式,不同的创作者也有不同的创作偏好。文章拟对此时期的苏白创作总的面貌作一简洁明了的概述。

There was some subai which was based on SuZhou dialect in the KunShan Opera betwen the end of Ming Dynasty and the beginning of Qing Dynasty.Subai is not only can suit for the aesthetic taste of the local audience,but also can be helpful for vivid Characterization,let alone it can conditioning atmosphere of the theater. At the origin of the subai ,it has a lot of forms of expression,and different writer had distinct predilection too.This text means to summerise the general characteristics of subai in that period.