摘要
夏衍的三幕话剧《上海屋檐下》在建国前后,分别被多次搬上舞台。建国前,1939年著名导演应云卫先生在重庆国泰电影院把该话剧搬上舞台。四十年代,在不同的城市上演次数也相当多。导演在编排话剧时,基本上认识到话剧的主题思想可以为抗战服务;建国后,1957年在中国青年艺术剧院的首次公演,是在文艺界"双百"方针的指导下,作品的艺术性被重新发掘。同年,中央戏剧学院、上海戏剧学院本科1957级表演系学生把《上海屋檐下》这部话剧作为毕业演出作品。
Xia Yan's triple-scene drama "Under the Eaves of Shanghai" has been on show before and after the establishment of the People's Republic of China. In the year 1939, the famed director Ying Yunwei presented it on the stage of Chongqing Guotai Theater for the first time. In the 1940s, it has been on show for several times in many different cities. The director began to realize that the theme of the drama can be served to the Anti-Japanese war. In 1957, it was performed at CYAT under the guideline of "Shuang-Bai" of art circle, and its literature was interpreted again. In the same year, students graduated in 1957 of "The Central Academy of China" and "Shanghai Theatre Academv" performed it as their a, raduation performance.
出处
《绥化学院学报》
2010年第3期94-96,共3页
Journal of Suihua University
关键词
《上海屋檐下》
演出
接受
"Under the Eaves of Shanghai"
perform
accept