摘要
通过对《海上钢琴师》的"细读",本文认为,主人公1900的音乐天赋很大程度上与他从小所接受的对传统语言习惯的颠覆教育有关。正因为1900从小不受传统语言思维模式的束缚,他自然的天性才没有被文明所吞没,以致于后来他才能够把标榜"自由"的爵士乐演奏到极致。此外,本文还重点分析了影片给我们留下的对于艺术的反思。最后得出结论,在艺术的殿堂里没有超然物外的上帝,但是只要有信仰,每一个人的心目中都有一个上帝,他就是我们自己,一个我们永远无法企及但却真实存在于我们心中的理想的自我。
After repeatedly watching Giuseppe Tornatore’s The Legend of 1900, this paper holds that the protagonist 1900’s music talent has a certain relationship with his childhood education. Since he was never fettered by the traditional language thinking pattern, his nature was preserved well and he could bring his talent into full play on the key board. Besides, this paper also emphasizes on the reflection of art, especially music art. At last, it arrives at the conclusion that there is no God in music, but God lives in every faithful heart, whom we can not reach but truthfully accommodate with everyday.
