摘要
电影"传记片"在对传主事迹进行艺术加工过程中,既有可能忠于史实,以理性回溯使人物塑造更具可信度与历史纵深感;也有可能在一定程度上篡改其经历,通过各种艺术手段粉饰生命的残酷,弱化传主的批判意识,矮化其精神境界,削弱其人格力量。本文拟通过对几部以西方女作家为传主的欧美影片与其传记、书信、日记等的比对分析,考辨电影传记片中截取、添加、浅化、单一等叙事策略在电影人物形象塑造中的作用。
During the artistic process on the heroines’ original images, the biographical films can reach the height not only in reality but also in terms of humanity while reflecting the history in a rational perspective. But it can, on the other hand, distort the heroines’ lives and their personalities by concealing the truth, beautifying the reality in order to pursue purely artistic creation or to please the audiences. This thesis seeks to provide an analysis of how the heroines’ images had been rebuilt by the artistic approaches of abstracting, overstating, popularizing and simplifying in the films of some famous Western authoresses. Using the biographies, memoirs, diaries and letters as the control groups, the comparative study is held to assess the differences in the movies and realities in revealing the biographical films’ influences and significances.
关键词
传记片
主体人格
形象塑造
叙事策略
Biographical film subject personality image rebuilt narrative strategy