“大片”的启示──当代人的大众性与建筑创作

以一部电影为引子，探讨当代人大众性心态的两极；怀旧情绪与超时空幻想，并分析了建筑创作中此心态的表现和商业化制作的影响。

This article discusses the two polarities of civic mentality-reminiscentemotion and hyper-space and time illusionwhich are showed in a movie. The expression of this mentality in architectural and the effect of commercial fabrication are alsoanalyzed.