花一般的罪恶——现代性视域中的邵洵美诗歌研究

Evil as Flowers:Studies on Poems by Shao Xunmei from the Perspective of Modernity

邵洵美是中国现代文学历史发展中唯一的"颓废—唯美派"诗人,由于中国主流意识形态道德评价标准的束缚,多年来对其诗歌的研究并不深入。从全新角度入手,在"对新奇意象的追求和象征手法的大量使用"、"情欲的宇宙观和爱情的赞美诗"和"无深度的主题与人的发现的变奏曲"三条路径下对邵洵美诗歌的创作技巧、写作内容及主题意义进行全面的现代性解读。

Shao Xunmei is the only poet in the school of ＂decadency and aestheticism＂ in China’s modern literary history. His poems and their significance have not been explored thoroughly as a result of the restriction of the Chinese mainstream ideology and moral evaluation criteria. This article will interpret his poems from a totally new, comprehensive and modernist perspective in terms of ＂his pursuit of novel images and the large amount use of symbolic technique＂, ＂his view on the world of passionate and love hymns＂ and ＂his subjects without depth and the discovery of man＂ to explore Shao Xunmei’s creative and artistic techniques, writing content and subject significance.