摘要
袁枚论诗标举"性灵",注重抒写个性情感,强调独创,反对传统教条,他的诗话著作《随园诗话》以"性灵"为论诗内核,对诗分唐宋、王士禛的"神韵"说、沈德潜的"格调"说、翁方纲的"肌理"说等清代主潮诗学均进行了批评,主张诗歌抒写"性灵",诗歌形式应不拘一格,"兼综条贯",为"诗写性情"服务。袁枚的这些诗学思想为中国古典诗歌创作走出唐宋诗窠臼、走出复古摹拟做出了努力,也为中国古典诗歌向近代转型指明了方向。
Yuan Mei's poetic thinking is "spirituality".He hold that poetry should express author's emotion,emphasizing self-creating,againsting traditional dogma.And the focus of his poetry book Sui Yuan Poetry is "spirituality".He disagreeed with the view that the poetry is divided into Tang Dynasty poetry and Song Dynasty poetry.He criticized the poetic view of poets Wang Shizhen's " Shen Yun",Shen Deqian's "Ge Diao",Weng Fanggang's "Ji Li",etc.He advocated that poetry should be composed by the author's temperament,the poetry forms must be changed correspondly.Those poetic view of poet Yuan Mei make efforts to the liberation of Chinese classical poetry,and found a bright path for Chinese poetry.
出处
《安徽广播电视大学学报》
2010年第2期82-85,共4页
Journal of Anhui Radio & TV University
关键词
袁枚
《随园诗话》
“性灵”
唐宋诗之争
“神韵”说
“格调”说
“肌理”说
Yuan Mei
Suiyuan Shihua
"spirituality"
the argue of Tang Dynasty poetry and Song Dynasty poetry
the poetic view of "Shen Yun"
the poetic view of "Ge Diao"
the poetic view of "Ji Li"