摘要
意大利托斯卡纳地区的建筑师基诺瓦尼-米歇尔卢西在长达半个多世纪的建筑实践中,如同教父一般,见证了意大利建筑近五十年的流派变迁。他的设计实践从早年的具有皮斯托亚地域特色的自由主义风格建筑,到意大利理性主义和法西斯政府建筑,到后来意大利佛罗伦萨战后重建。一个世纪长的寿命使得建筑师有足够的时间去思考和反思。基诺瓦尼-米歇尔卢西晚年设计的圣-吉万尼尼-巴蒂斯塔教堂是现代主义在全世界风行的时期,超越纯粹理性主义建筑的杰出代表作品。
Like a godfather, Italian architect Giovanni Michelucci from Toscana had witnessed the changes and transitions in Italian architecture history for almost half a century throughout his practices in this field. He started design in liberalism style with Pistoia-like features, then moved to designs with Italian Rationalism and Fascism, and eventually participated in the postwar rebuild of Florence, Italy. A century long life is more than enough for him to rethink and review. The San Giovanni Battista Church is an outstanding masterpiece of Giovanni Michelucci in his later years, which went beyond the boundary of the absolute rationalism at the time that the modernism was overwhelming across the world.
出处
《建筑师》
2010年第3期70-75,共6页
The Architect
