摘要
运用女性哥特相关理论分析达夫妮·杜穆里埃的《蝴蝶梦》,通过对文本中显性的无名女叙述者、隐性的亡灵吕蓓卡及男主人公迈克西姆.德温特三个人物及其关系的审视,考察父权制下女性身份多元化的建构及其负性生存状态,认为女性破茧成蝶的成长过程是以二位一体的身份建构和二元对立的性别抗争为核心事件的哥特式体验过程。
Through the detailed analysis of the masterpiece Rebecca by English female writer Daphne du Maurier,explore the construction of feminine identity diversity and female negative living conditions in the patriarchal society by the careful scrutiny of the overt nameless female narrator,covert ghost Rebecca,the villain-hero Maxim de Winter and their relationship.It holds that female metamorphosis processs from a larva to a butterfly is a gothic experience which takes duality identity construction and binary opposition gender struggle as its main events.
出处
《安徽师范大学学报(社会科学版)》
CSSCI
北大核心
2010年第2期241-244,248,共5页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
基金
安徽省高等学校青年教师科研资助计划项目(2008jqw029)