摘要
公元15至16世纪是藏传佛教造像艺术发展的成熟期,明政府的宗教政策也促进了造像艺术的发展;外八庙珍藏的铜镀金宗喀巴像在造型、装饰、工艺等方面既有西藏本土的艺术风格,又融合了明永宣宫廷造像的艺术特征,是藏汉艺术相互融合的艺术珍品。
From AD 15 to 16 century is the maturity of Tibetan Buddhist sculptural art development. The Ming government’s religious policy also contributes to the development of sculptural art; The gilded copper statue Tsongkhapa of Eight Outer Temples in Chengde has the artistic style of native Tibet and also incorporates the artistic features of court sculpture of the Ming Yong Xuan in shape, decoration, crafts etc., which is the art treasure of blend between Tibetan and Chinese art.
出处
《河北旅游职业学院学报》
2010年第2期110-111,共2页
Journal of Hebei Tourism College
关键词
宗喀巴
西藏造像
明永宣宫廷造像
Tsongkhapa
Tibetan statues
court statues of Ming Yong Xuan