论音乐剧舞者的听觉训练

The Discussion about Auditory Training of the Dancer Xiaoqun Zhang

作为专业的舞者,舞台上缺乏韵律的艺术形象暴露了舞者在音乐理解力、感受力方面与舞蹈感知力之间的不平衡。这就要求舞者有非常敏锐的听力与内在的音乐感受力才能更好地表现作品的精髓。笔者思考行之有效的解决方法,建议从舞者的听觉训练入手,围绕节奏感、旋律感、结构分析、音乐感、演唱等几方面进行,并论述了在平时训练中的一些行之有效的方法。

As a professional dancer, artistic image on the stage without rhythm will expose the unbalance of the dancer between the music comprehension, perception and the sensation of dance. This requires the dancer possesses the ability of sensitive listening and the internal music perception, and that will help the dancer to express the essence of the work. The author has a thought on the reason of it and tries to discover the way which could work that out. This paper suggests that dancer＇s auditory training is the first thing to deal with, and centers on the training of the rhythm sensation, melody feeling, music perception, structural analysis and singing. Finally, this article also discusses some effective methods of the training.