摘要
"边缘人"在第六代导演王小帅的视野中,体现在两个维度之上:第一,导演自身作为体制边缘人的抒写;第二,导演呈现的表象群体。两个维度趋向于同一种生存状态:冷漠隔绝的悲剧冲突中追忆爱的信仰,走向生命救赎。
In the sixth-generation director Wang Xiaoshuai＇s vision,the film ＂Marginal people＂ reflects two dimensions： for one thing,the writing which the director takes himself as a system of marginal people;for the other,the presentation of the appearance of symbolized groups.These two dimensions tend to be in the same state of survival： recollecting the beliefs of love,going toward life-salvation in the cold isolation of the tragic conflicts.
出处
《贵州师范大学学报（社会科学版）》
CSSCI
2010年第3期128-131,共4页
Journal of Guizhou Normal University(Social Sciences)
关键词
王小帅电影
边缘人
冷漠隔绝
悲剧冲突
生命救赎
Wang Xiaoshuai film
marginal people
cold isolation
tragic conflicts
life-salvation
