摘要
莫言的《红高粱》是对一切传统标准和二元对立美学观的一个反判。作者不惜一切力量调动了全部激情表达了这一豪壮的叛逆主题,使匪性母题所蕴藏的巨大的人性与文化内容得以真正富有当代意识深度的开掘与发现。本文就试图从英雄一土匪:正反二元对立模式深度消解;道德一人性:规范隐退与本能张扬这两个方面来述说。
Mo Yan's "Red Sorghum" is a binary opposition of all the traditional standards and aesthet- ics of an anti-contracting. Mobilization of all forces at all the passion expressed the theme of this heroic rebellion to bandit motif of the tremendous human nature and rich cultural content to really dig the contemporary sense of depth and discovery. This article attempts to Hero - Bandit: positive and negative depth digestion Binary Mode, moral - human nature: norms retreat and instinctively Zhang Yang to tell the two areas.
关键词
英雄
土匪
道德
人性
Heroes
Bandit
Moral
Human nature