论女娲、姜媛神话的文学书写

On the Displacement to Nv Wa and Jiang Yuan Myth in Literary Writing

女娲和姜媛神话的文学书写以魏晋南北朝"文学自觉时代"为界,分为前后两个时期,前期以宏大政治意识表达对圣王英雄的颂扬,保留着神话本有的神圣性特征;后期则流变为卑微文人意识中的消极退避与孤愤情怀,具有抒情性特征。女娲和姜媛神话后期的文学书写,代表了神话之抒情性意义建构的两种模式。

The literary writing to The Goddess and Jiang Yuan myth of Jiang Yuan was divided into two periods,In the literary rewriting,two images was formed：Goddess and a Stupid Stone. The later was adopted in A Dream of Red Mansions by Cao Xue-qin. These two images reveal two function of myth in culture. It advocates rational idea and great cause,in the other hand it protects human freedom and individual experience of life.