摘要
鲁迅和郭沫若的悲剧观有很大的不同,创作风格也迥然有别。鲁迅的小说主要写"下层社会的不幸",郭沫若写的多是"历史转换期"的大悲剧;郭沫若的悲剧人物比较单一,鲁迅的悲剧人物则具有多样性。但是,鲁迅和郭沫若的悲剧理论与实践,在差异和互补中共同为中国现代悲剧理论奠定了基础。
Luxun is different from Guo Mo-ruo in tragic views and writing style. Luxun is concerned about "unfortunate characters in the low class" ,while Guo Mo-ruo is concerned about the tragedy in the period of historical turn. The tragic characters of Guo Mo-ruo are single,but Luxun's tragic characters are diverse. In this way their theory and practice have laid a foundation for China's modern tragedy for their differences and mutual complementation.
出处
《河北学刊》
CSSCI
北大核心
2010年第4期239-241,共3页
Hebei Academic Journal
关键词
鲁迅
郭沫若
悲剧理论
Luxun
Guo Mo-ruo
tragic theory