审美视野的《大秦帝国》

Aesthetic Vision of the Great Qin Empire

长篇历史小说《大秦帝国》最大的革新是精神理念上的突破,主要体现在三个方面:一,文明史观与创作理念的颠覆性和挑战性;二,文史哲交融的大文学观,将议论、历史考评文字作为小说构成要素;三,立足于新的时代新的历史起点,形成和确立了"历史发展是文明形态的演进"的审美判断,形象地呈现了民族文明形态演进的轨迹。作者对议论思辨、考证文字的运用,成为《大秦帝国》这一充满生命气息的有机整体的不可分割的组成部分。但有些繁多的考证文字和图示,容易冲淡跌宕起伏的故事情节给予读者的审美意味;最后的"祭秦论"部分,在与整部作品的情感发展逻辑的有机统一性、人物事件的连贯性与加深、提高、升华作品的历史哲学意味方面,缺乏应有的深度和高度,因而,只能作为一篇具有原创性的学术论文存在于世。

The greatest innovation of historical novel ＂Great Qin Empire＂ is the breakthrough of the spiritual idea, mainly embodied in three aspects： first, subversive and challenging in historical view of civilization and creative vision; secondly, Great Literature concept fused with Literature, History and Philosophy, regarding arguments, historical text as elements of a novel; Thirdly, based on the new times and new historical starting point, forming and establishing the aesthetic judgement of ＂historical development is evolution of civilization,＂ showing the track of the evolution of national civilization. The author＇s employment of comments, thoughts and textual research of words has been an important part of the ＂Great Qin Empire＂ which is an organic whole full of breath of life. However, some various research texts and icons are easy to dilute the reader＇s aesthetic given from the ups and downs of the story. The last part ＂festival Qin theory＂ lacks depth and height with respect to the logic unity of emotional development of the whole work, the coherence of characters and the upgrading of the historical philosophy of the work. Therefore, it is known to the world only as an academic paper with the original presence.