摘要
本文通过对东方美神观音和西方美神维娜斯的对比研究及观音形象的来由和变化、生动地阐述民族化和世俗化进程及东方审美和心境取向。
By a comparative study of the origin and changes of the ima.qes of the eastern Goddess of Beauty, Guanyin and western Venus, this paper vividly illustrates the process of nationalization and secularization and the oriental aesthetic and mood orientation.
出处
《雕塑》
2010年第3期72-73,共2页
Sculpture
关键词
东方美神与西方美神
观音形象
民族化
世俗化
eastern and western Goddess of Beauty, the image of Guanyin
nationalization, secularization
