摘要
自20世纪90年代以来,新的媒介技术可能性所带动的知识转型已全面启动。传统电影研究也正在丧失原有的立论基础和稳定对象。在此语境之下,以"像"元点的指认和"像性"、"动像性"、"像化叙述"概念系统和阐释范式的拟定,是一次力图重新建构两相适应的知识体系的学术努力。而动画是纳入这一知识体系的异质性存在,其基本知识属性的认定与表述具有全新的知识论价值。
Since the 1980s, the knowledge transformation triggered by new media technology has been completely started. Traditional films are losing the previous theoretical basis and stable objects. In such a context, Recognition of " images" and establishment of the definition system and interpretation patterns such as " image nature" , " image dy- namics" and " image narration" are an academic attempt to re -construct the mutual -effective knowledge system. Cartoon is the alien existence accepted to such a knowledge system; the establishment and expression of its basic nature are of entirely new value in epistemology.
出处
《艺术百家》
CSSCI
北大核心
2010年第4期171-174,155,共5页
Hundred Schools In Arts