摘要
由于阮籍与张华《鹪鹩赋》有着某种特殊的关系,辨前者之全部赋作的内在联系,发现阮赋及其赋体性作品《大人先生传》的创作始末,恰与司马氏从开始篡权到定局之年限相一致;由《东平赋》作时考辨发现阮籍后期"不与世事"、谨慎自保实为苦闷待"时"的真相契入,其将自己宏大人生追求境界寄托于赋体创作,以赋体创作作为其较为直接的、现实时代社会理性批判的重要武器,可见其"言有浅而可以托深,类有微而可以喻大"乃赋体创作思维。
The time of the creation of Da Ren Xian Sheng Zhuan is almost as the time of Si Ma's usurpation,which is argued through a certain relationship between Ruan Ji and Zhang Hua's Jiao Liao Fu.To study Ruan Ji's thought about pursuing a great life in his Fu is to argue his creative thinking.
出处
《钦州学院学报》
2010年第2期1-7,共7页
Journal of Qinzhou University
关键词
阮籍
赋
创作思维
创作时间
张华
鹪鹩赋
Ruan Ji
Fu
Creative Thinking
Creative Time
Zhang Hua's Jiao Liao Fu