摘要
中、日电影同处东方文化语境,有着相似的民族化立场,但起源与发展路径存在重要差异。中国电影发展的独特性在于"文人深度参与"。鸳鸯蝴蝶派文人通过观影、评影、编剧等行为把文艺传统融入中国电影事业,既对中国早期电影叙事实行本土特色的现代改造,又对西方电影理论进入起到屏蔽作用,发展出中国特色的"影戏"理论。鸳鸯蝴蝶派文人还在中日电影交流中扮演重要角色,扩大了中国电影在亚洲电影圈的影响,也使得中国早期电影确立了珍贵的世界眼光。
There are significant differences on the origin and development between Sino-Japanese movies even though they are in the same Oriental cultural context.Uniqueness of Chinese film lies in "Scholars' Participation in depth".Yuanyang-Butterfly Scholars developed Chinese characteristics movie theories through movie-going,movie-Evaluating,screen-playing.Yuanyang-Butterfly Scholars expanded Chinese films' influence on Asian film circle and built world vision for Chinese films.
出处
《重庆邮电大学学报(社会科学版)》
2010年第4期60-67,共8页
Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)
关键词
中日电影
鸳蝴文人
电影史
Sino-Japanese movies
Yuanyang-Butterfly Scholars
movie history