摘要
伴随着南斯拉夫的解体和内战,埃米尔.库斯图里卡的电影一扫往日的沉静忧伤而变得狂野怪诞,同时,批判的锋芒逐渐减弱,阳光的情绪越来越多。毕竟,激情宣泄与玩世不恭难掩内心的凄怆悲凉和痛苦思索,放荡不羁的外表藏不住悲天悯人的赤诚心灵和救赎苍生的博大情怀,而超现实的电影语言和童话般的爱情故事在不倦地讲述着库斯图里卡理想主义的希冀和憧憬:生命是个奇迹,真爱创造奇迹。
With the disintegrity of Yugoslavia,Emir Kusturica transformed his style from movies of silence and sadness into those full of fantasy with less criticism but more positiveness.Emotional cynicism,after all,can not completely cover the sorrow and pain in the inner heart,and the pretended wild oats fail to hide the great tolerance for and keenly eagerness to save the common people.The surreal movie language and fairytale love story repeats the hope and dream that Kusturica entrusts in his movies： life is a miracle,and true love creates miracles.
出处
《重庆邮电大学学报（社会科学版）》
2010年第4期68-74,共7页
Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)
关键词
政治
种族
人性
超现实
理想主义
politics
ethnic
humanity
surrealism
idealism
