论汤显祖戏曲“梦幻叙事”范式的文化情韵

The Cultural Interest of "The Illusion Narrates" in Tang Xianzu's Dramas

明代著名剧作家汤显祖倾尽毕生精力所演绎的杰出剧目《紫钗记》、《牡丹亭》、《南柯记》、《邯郸记》,又被后世誉为"临川四梦"。可以说,汤显祖戏曲梦幻理论建构的独具匠心在于其以艺术家的敏锐思维和激情感悟而将情与理的生命冲突所造成的苦闷、幽怨、抑郁表现得痛快淋漓并在对"情"的反思中张扬着对传统人性观的质疑探秘,从而使其戏曲梦幻叙事富含着隽永的文化情韵。

Tang Xianiu,a rerowned playwright in the Ming Dynasty, powned all his life into the creation of his outstanding plays：＂Purple Ornamental Hairpin Records＂,＂Peony Pavilion＂,＂Nake Records＂ and ＂Handan Records＂,which are called ＂Linchuan Four Dreams＂ by the later generations.It can be said that the illusion theory construction in Tang Xianzu＇s dramas has a special inventive mind simply because Tang Xianzu,With his keen thoughts and intense feelings,portrayed most vividly the low feeling,hidden bitterness and despondency caused by life conflict of sentiment and reason.In the reconsideration of sentiment,Tang Xianzu made widely known the questioning and exploring to the traditional view of human nature so as to make his illusion narrates containing meaningful cultural interest richly.