“西学东渐”对新中国水墨人物画体格范式建构的影响

The Influence of Western Learning Progressively Spreading to the East upon the Structure of Formulation of New Chinese Water-ink Painting

20世纪上半叶,美术史上两次西学东渐对新中国水墨人物画现代体格的形成,有着直接的生发原因和启转关系。本文从特定情境出发,分析两次西学东渐生发的历史背景,阐释了以延安革命美术为指导,以写实主义水墨人物画语言为基础,以苏联"社会主义现实主义"美术创作方法为借鉴和补充,构成新中国水墨人物画体格特征和语言形态的历史必然性。

In the first half of the 20th century,the Western Learning Progressively Spreading to the East took place twice in the history of Chinese history of fine arts and they played an direct and transitional role in the formation of Chinese water-ink figure paintings. The thesis analyzes the historical background of the two spreadings,based on the realistic water-ink figure paintings guided by Yan'an revolutionary arts,with the reference of Former Soviet Union's socialistic realistic fine arts creation methods,constructing the figure characteristics and language of water-ink Chinese figure painting.