黑暗诗学的嬗变,或化蝶的美丽——以翟永明和池凌云为中心,论新时期女性诗歌意识

Transmutation of Dark Poetics,or Beauty of Turning Into Butterfly

就精神气质和写作意识而言,在以舒婷为代表的朦胧诗时期的女性诗歌写作中起主导作用的是一种清澈的光明意识,并以此和同一时期的男性诗歌相区别。针对舒婷的光明意识,新一代女性诗人翟永明针锋相对地提出黑夜意识加以颠覆。新的一代女诗人在意识上和写作的技艺上都有别于前一阶段的诗人。在上一代女诗人已经取得的成就基础上,她们以更为开放的姿态和广阔的意识从中外诗歌中合成养分,不断在写作实践中锤炼和提高自己的诗艺,把女性诗歌推进到了扎实而富有成果的新阶段。池凌云诗歌中的黑暗意识与1980一代女性诗歌中的黑暗意识有某种渊源,而又经诗人以新的自我意识、生命智慧和诗歌技艺加以改造,从而和存在构成了一种新的对应关系,也为女性诗歌写作提供了新的可能。

So far as spirit,temperament and compositional consciousness are concerned,a clear and bright kind of consciousness played a leading role in female poem writing in the misty poetry period as re- presented by Shu Ting,which distinguished itself from that of the male poems of the same period. Against Shu Ting＇ s bright consciousness,Di Yongming,a new generation female poem writer,adraneed a tit-for-tat dark consciousness by way of subversion. Women poets of the new generation are different from poets of the previous stage in both consciousness and writing skill. On the basis of what has been achieved by the women poets of the former generation and with an even more open gesture and a broader consciousness,they com- pose nutrients from domestic and foreign poems, incessantly hone and enhance their poetic skill through practice,and bring female poems into a new, solid and fruitful stage. The dark consciousness in Chi Lingyun＇s poems has something to do with that in the poems by women poets of the 1980 generation,yet that has been reformed by Chi＇s new self consciousness,wisdom of life and poetic skill,thus it establishes a corresponding relationship with existence as well as provides a new possibility to write female poems.