试论《江城子》词调的演变

On the Evolution of Tonal Patterns and Rhyme Schemes of Lyric Jiangchengzi

《江城子》这一词调起源于晚唐五代,在晚唐五代还未定型。到了苏轼手中达到成熟定型,繁盛于北宋。苏轼的《江城子·记梦》和《江城子·密州出猎》开创一代词风,引起后代乃至于同时代人的追和,整个宋代留下了将近二百首《江城子》词。衰落于金元,金元时这一词调表现范围进一步扩大,有近三分之一《江城子》词是道士所创作,内容与道教有关。总的说来,《江城子》这一词调在不同的发展阶段表现出不同的声情特征,可用来写不同的情感体验,表现出此词调表达感情的丰富性。

Tonal patterns and rhyme schemes of lyric , Jiangchengzi , was originated in the Five Dynasties in the late Tang Dynasty , but it is not definitized at that time . It did not matured until SuShi, who is a famous poet lived in Song Dynasty. General speaking , the different stage of tonal patterns and rhyme schemes of lyric characterized by different music features and can be used to express different emotional experiences, which embodied its richness in the expression of one＇ s feelings. Jiangchengzi eclipsed between Jin and Yuan Dynasty .