摘要
清初王士祯标举神韵,通过细读其论诗之语,可以将其"神韵说"的要义提炼为三个层面:第一个层面是"诗之美",是"传神"与"余韵"的结合,第二个层面是"诗之境",是"禅境"与"诗境"的融通,第三个层面是"诗之作",是"兴会"与"性情"的共鸣。由此可以为"神韵说"建立一个包括作者、作品、读者、世界这四要素在内的基本理论框架。
At the beginning of Qing Dynasty,Wang Shizhen brought forward the theory of Verve.We can generalize the theory into three levels：beauty of poetry,that combines vividness with lingering sound;conception of poetry,which links poetic conception with Zen;and creation of poetry,a resonance of ＂inspiration and temperament.Thus we can establish a basic theoretical frame for the theory of Verve,which covers the writer,works,readers and the world.
出处
《河北经贸大学学报（综合版）》
2010年第2期80-83,共4页
Journal of Hebei University of Economics and Business(Comprehensive Edition)
关键词
神韵说
传神
清远
兴会
性情
theory of Verve
vividness
seclusion
inspiration
temperament
