摘要
文章选取了《恩主》和《死亡之匣》两部作品为例对桑塔格理论进行了分析,并研究了桑塔格理论的实践意义:世界和人生是荒诞的,并且梦幻和死亡充当了实践载体的角色;同时桑塔格的反对释义理论具有局限性,即实践的不彻底;但在某种程度上,也彰显了后现代主义的情绪,从而表现出后现代性。
This paper studies Susan Sontag's Against Interpretation Theory and its practical meaning through the analysis of her works-"The Benefactor" and "Death Kit". In her works, the,world and life are fantastic; dream and death serve as the carrier of practice. It points out that her works highlight the mood of postmodernism and that Against Interpretation Theory has its own limitations.
出处
《安顺学院学报》
2010年第3期22-23,30,共3页
Journal of Anshun University
关键词
苏珊·桑塔格
反对释义理论
恩主
死亡之匣
Susan Sontag
Against Interpretation Theory
The Benefactor
Death Kit