摘要
对《石门铭》随刻入观,就刻工虔诚与智慧,字形的虚空与环绕,字势的收与放等方面进行考察,力图对《石门铭》精神有一个更准确地把握。同时,围绕《石门铭》取法问题,论及对当下魏碑艺术运动的有关思考,认为其在拓展魏碑技法上确有贡献,但这仅仅是个出发点。清代碑学立足于上古精神的捕捉与笔法提炼,对现今魏碑探索仍具有十分重要的参照价值。
From the angles of the carving's devotion and wisdom, the grapheme's void and environ, the strength's control and release, the present article has a deep research into Shek Mun-ming and tries to have a more exact understanding of it. Meanwhile, basing on the understanding of Shek Mun-ming, the author has a discussion about the current Wei Dynasty's stone tablet art movement and puts forward that Shek Munming has made some contribution to the expansion of Wei Dynasty's stone tablet calligraphy, but that's only a starting point. Based on the spirit and writing techniques from the previous dynasties, stele theory of Qing dynasty has important references to the current Wei Dynasty's stone tablet calligraphy research.
出处
《云南农业大学学报(社会科学版)》
2010年第3期113-115,120,共4页
Journal of Yunnan Agricultural University(Social Science)
关键词
魏碑
《石门铭》
武阿仁
美学风格
Wei Dynasty's stone tablet
Shek Mun-ming
engraver Wu Aren
aesthetic style