摘要
在伯纳德.法瑞尔的剧作《我不喜欢你,费尔医生》中,六个人将自己锁在一间隔音室进行为期一个晚上的集体治疗。随着剧情的发展,他们建立起一种在象征域中的想象性联系,而他们每一段通过自由联想进行的谈话都演变为一个歇斯底里式主体间性的过程。故事开始时说话结巴的乔充当了舞台监理的角色,见证了他们的反应,并且在这一过程中扮演着分析者的角色,逐一揭开其他人的面具。具有反讽意味的是,这一歇斯底里式主体间性的过程又成为乔的治愈过程,尽管他从来没有以常规的方式讲述自己的过去并且被其他人视为十足难懂的怪人。本文借助拉康的理论探讨了乔在治愈过程中构建整体性结构的三种可能途径。
Bernard Farrell＇s play I Do Not Like Thee,Doctor Fell tells the story of six characters who lock themselves up in a soundproof room for a night long group therapy session.As the play proceeds,they re-establish the imaginary relations in the Symbolic,and the sessions in which the participants talk through free associations develop into a process of hysterical intersubjectivity.Joe,a stutterer in the beginning,stagemanages their reactions,and in the process assumes the role of the analyst and unmasks them.Ironically,this process of hysterical intersubjectivity turns out to be a curative process for Joe,in spite of the fact that he never speaks about his past in conventional terms and in the eyes of the others becomes a splendid enigma.This paper explores three possible ways of casting a unitary framework over Joe＇s curative process against the background of Lacanian theory.
出处
《外国文学研究》
CSSCI
北大核心
2010年第3期35-43,共9页
Foreign Literature Studies
