民族旅游舞台表演中的符号化生产及其互动——以三江侗族自治县程阳八寨为例

On the Symbolization and Symbolic Interaction in the Local Tourism Performance——A Case Study of the Eight village in Chengyang in Sanjiang Dong Autonomous County,Guangxi Autonomous Region

文章以广西三江侗族自治县程阳八寨为例,运用符号互动的理论,分析了民族旅游舞台表演的符号化生产过程,舞台表演过程中的互动模型及其出现的各种问题,指出要实现舞台表演互动主体之间的良性互动,消解建构新的文化符号时出现的各种紧张关系,必须在尊重当地文化逻辑的基础上进行,让村民成为文化符号建构规则的制定者。

With a case study of the Eight village in Chengyang in Sanjiang Dong Autonomous County,Guangxi Autonomous Region,this paper analyzes the symbolizing production,the process of symbolic interaction model and its problems in the local tourism performances from the perspective of symbolic interaction theory.It stresses that the key to establishing a good mutual interaction and dissolving various kinds of tensions when building the new cultural symbols is to respect the local logical culture ask the villagers to act as the markers of the cultural symbol rules.