摘要
基督教在中世纪占据主流意识形态地位,制约着社会生活的方方面面,教会将自己的神学信条凝刻于视觉艺术中,塑造着人们的情感态度和审美经验。基督教罪恶观有原罪和本罪之分,在教堂的视觉艺术中有着突出的表现。罪恶意识渗透于中世纪视觉艺术接受活动过程,使人们沉浸于深沉的忏悔和救赎的渴望之中,实现了基督教视觉艺术图像的宗教功能。
Christianity occupies the position of the mainstream ideology in Medieval and restricts aspects of social life,The Church＇s own theological doctrines engrave in the visual arts,sets up people＇s emotional attitude and aesthetic experience.The Christian Evil view has original sin and personal sin,The visual arts in the church has a prominent performance.Sin awareness infiltrates in the medieval visual arts reception procession and makes people immerse in deep repentance and desire for salvation,it achieves religious function of Christian visual arts image.
出处
《佳木斯大学社会科学学报》
2010年第2期77-79,共3页
Journal of Social Science of Jiamusi University
基金
黑龙江社会科学基金艺术学项目"基督教与中世纪视觉艺术接受"(09C045)
佳木斯大学2009科学技术研究项目"基督教与中世纪视觉艺术接受"(W2009-170)
