摘要
20世纪20年代文人梁遇春的散文在"审美现代性"建构中有较大意义。他的创作艺术风格呈现出某种现代意味的"美的自律",他采用幽默与想象性、象征等笔法,既增进了文章的趣味性,又在与传统笔法的继承与突破中表现了审美的"现代性"特质。
In 1920s Liang Yu - chun＇ s prose contributed a lot to the construction of ＂the modernity of aesthetics＂. His creating style presented ＂autonomy of beauty＂, giving off a kind of modernity. By means of humor, imagery and imagination, etc. , his prose became very interesting to read, and presented a kind of ＂modernity＂ of aesthetics which was a result of both the retaining and breakthrough of the traditional way of writing.
出处
《平顶山学院学报》
2010年第3期89-92,共4页
Journal of Pingdingshan University
关键词
梁遇春
散文
审美现代性
自律
Liang Yu - chun
prose
aesthetic modemity
autonomy
