唐姿·宋采·清粲——由張大千仕女畫粉本透視中國仕女畫三段論

The Three Deveoping Phases of Traditional Chinese Belle Painting Reflected in Zhang Daqian's Works

文章透過張大千仕女畫的階段,以時間的縱軸分析中國歷代仕女畫『唐姿』、『宋采』、『清粲』三個階段的發展歷程。張大千的仕女畫畫風,沒有脫離傳統與現代承接的脈絡,他將中國仕女畫的淵源及發展歷史全部貫通,最後基於他的唯美主義原則以及中國仕女畫傳統的古典主義意識以及他個人的創新概念三大因素,使得他終於創出張大千式的仕女畫畫風。

Through different stages of Zhang Daqiang belle paintings, this paper analyzes the chronological development of traditional Chinese belle painting in three phases of the Tang, Song and Qing Dynasties. The style of Chang~ belle painting takes in both traditional and modem elements, and he himself achieved mastery through a comprehensive study of the origin and development history of traditional Chinese belle painting and finally created the belie painting style of his own based on his aesthetic principles, his classical sense of the traditional Chinese belle painting, and his personal innovative concepts.