从生命的创造到文学的创造——论弗吉尼亚·伍尔夫双性同体对神话思维的逃离与飞越

From the creation of the universe, the earth and all living things to the creation of literature——Virginia Woolf's theory of androgyny and the escape from mythical thinking of androgyny

对弗吉尼亚·伍尔夫1929年在其女性主义批评中提出双性同体诗学理论进行了详细地分析,指出此理论不完全建筑在弗洛伊德的心理分析与达尔文的生物学的最新发展之上,也不是依赖于《创世纪》的名句或柏拉图的著作,而是弗吉尼亚·伍尔夫在实验探索式的勤奋刻苦的写作中产生的,但它不是无源之水,无本之木,而是与历史有着一种深刻的精神联系,并不断超越其原初的意义而导向未来。

This article analyzes Virginia Woolf＇s famous theory of androgyny which comes from A Room of One＇s Own in 1929. This article shows Virginia Woolf＇s theory of androgyny is not completely based on Freud＇s psychoanalysis or Darwin＇s biology,famous remarks in Genesis or Plato＇s works from the performance,development,evolution of ＂androgyny＂in different fields in history. The conclusion is that this creative view comes from Virginia Woolf＇s diligent writing--she seems to carry out an experiment when she is writing--but there is an important spiritual link between Virginia Woolf＇s＂androgyny＂and＂androgyny＂in ancient history.