后现代主义西方魔幻文学作品的诗学解构——以《哈利·波特》为视角

The Poetic Destructure of the Western Magic Literature of PostModernism——Taking Harry Porter as an Perspective

起源于拉丁美洲的魔幻文学流派在世界文坛上掀起了一股强劲的魔幻旋风,罗琳的《哈利.波特》系列小说更是获得了骄人的销售成绩。后现代主义的语境下,从诗学的角度解构《哈利.波特》,魔幻文学作品叙事文本的不稳定、不确定、非连续、无序、断裂和突变的叙事特点,充满喧嚣、动荡、怪异、魔幻、神奇、灵异的意象结构一览无余,它打破了精英主义文化视域下对文学审美观的话语霸权,在当今这个普遍缺乏想象力的功利社会中,西方魔幻文学作品为读者提供了一场娱乐盛典,体现了诗学美本性的回归。

The school of the magic literature originated from Latin America has caused a sensation about the magic fiction in the literary world and Rollin＇ s Harry Porter series have made even a more startling achievement in sales. Under the context of post - modernism, to destruct Harry Porter from the perspective of poetics, we can get every-thing at a glance in the texts of the magic literature about such narrative features as the instability, uncertainty, non - succession, disordering, fragmentation and revulsion; and the noise - laden, turbulent, unusual, mystical and elfish image structure, which has overthrown the discourse hegemony on the literary aesthetic standards under the context of the meritocratic culture, supplied a grand entertaining ceremony for the readers and embodied the return of the inherent quality of poetics.