摘要
曾诗描绘宿甘露寺僧舍的情景。一二句写近景,三四句写远景。山水诗或者写景诗,从视觉落笔,几成为诗人们最常用的表现手法。曾公亮此诗却避开这种传统章法,开篇即从感觉、听觉写起,三四句一反常理逆逻辑顺序绘景。起笔既不落窠臼,末二句写法又富创变,全诗于虚处传神,显得别开生面而又饶有新意和诗趣。
The poet describes the scene of the Sweet Dew Temple.The first two lines depict the near scenery while the last two lines fabricate the outdoors further scenery.As for landscape poetry or scenery poetry,beginning with visual angle is regarded as the most popular expressing way.Zeng Gongliang,however,starts with feelings and ends with a special anti-logical description in this poem instead of the traditional method.It starts unconventionally and ends creatively.The whole poem presents the illusory scenes vividly,showing its unique style and poetic charm.
出处
《西昌学院学报(社会科学版)》
2010年第2期15-16,共2页
Journal of Xichang University:Social Science Edition